Corporation for Public Broadcasting to shut down after being defunded by Congress
Associated Press
National

Corporation for Public Broadcasting to shut down after being defunded by Congress

The Corporation for Public Broadcasting, a cornerstone of American culture for three generations, announced Friday it would take steps toward its own closure after being defunded by Congress — marking the end of a nearly six-decade era in which it fueled the production of renowned educational programming, cultural content and even emergency alerts.

CPB said it informed employees Friday that most staff positions will end with the fiscal year on Sept. 30. It said a small transition team will stay in place until January to finish any remaining work — including, it said, “ensuring continuity for music rights and royalties that remain essential to the public media system.” CPB’s Board of Directors and management are working closely to address the legal, financial, and operational requirements of the closure.

The demise of the corporation, known as CPB, is a direct result of President Donald Trump’s targeting of public media, which he has repeatedly said is spreading political and cultural views antithetical to those the United States should be espousing. The closure is expected to have a profound impact on the journalistic and cultural landscape — in particular, public radio and TV stations in small communities across the United States.

CPB helps fund both PBS and NPR, but most of its funding is distributed to more than 1,500 local public radio and television stations around the country, including WTIP Community Radio.

The corporation also has deep ties to much of the nation’s most familiar programming, from NPR’s “All Things Considered” to, historically, “Sesame Street,” “Mister Rogers’ Neighborhood” and the documentaries of Ken Burns.

The corporation said its end, 58 years after being signed into law by President Lyndon B. Johnson, would come in an “orderly wind-down.” In a statement, it said the decision came after the passage through Congress of a package that clawed back its funding for the next two budget years — about $1.1 billion. Then, the Senate Appropriations Committee reinforced that policy change Thursday by excluding funding for the corporation for the first time in more than 50 years as part of a broader spending bill.

“Despite the extraordinary efforts of millions of Americans who called, wrote, and petitioned Congress to preserve federal funding for CPB, we now face the difficult reality of closing our operations,” said Patricia Harrison, the corporation’s president and CEO.

With funding now rescinded, WTIP Community Radio will lose approximately $170,000 in the 2025 budget and $238,000, or 25% of the 2026 budget. While WTIP is supported by individual donations and underwriters, WTIP relies heavily on grants and CPB funding to provide local news coverage, music programming, and ongoing maintenance and equipment costs.

Breakdown of WTIP’s funding sources:

  • Individual Donations: 29% 
  • Underwriters: 11% 
  • Grants: 56% (25% from CPB)
  • Other: 4%

CPB funding allows WTIP and other public media stations to pool resources towards satellite interconnection, emergency alert systems, music licensing, and development and educational programs.

A last-gasp attempt at funding fails

Democratic members of the Senate Appropriations Committee made a last-ditch effort this week to save the CBP’s funding.

As part of Thursday’s committee deliberations, Sen. Tammy Baldwin, D-Wis., authored but then withdrew an amendment to restore CPB funding for the coming budget year. She said she still believed there was a path forward “to fix this before there are devastating consequences for public radio and television stations across the country.”

“It’s hard to believe we’ve ended up in the situation we’re in,” she said. “And I’m going to continue to work with my colleagues to fix it.”

But Sen. Shelley Moore Capito, R-W.Va., sounded a less optimistic tone.

“I understand your concerns, but we all know we litigated this two weeks ago,” Capito said. “Adopting this amendment would have been contrary to what we have already voted on.”

NPR stations use millions of dollars in federal money to pay music licensing fees. Now, many will have to renegotiate these deals. That could impact, in particular, outlets that build their programming around music discovery. NPR President and CEO Katherine Maher estimated recently, for example, that some 96% of all classical music broadcast in the United States is on public radio stations.

Federal money for public radio and television has traditionally been appropriated to the Corporation for Public Broadcasting, which distributes it to NPR and PBS. Roughly 70% of the money goes directly to the 330 PBS and 246 NPR stations across the country, although that’s only a shorthand way to describe its potential impact.